Pari

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Pari

An ancient Indian unit of area approximately equivalent to one hectare.

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Inoltre, ritengo che non sia utile nell'ambito del giallo italiano rintracciare le manifestazioni letterarie relative al crimine o alla giustizia precedenti l'avvento del genere; quest'ultima e una metodologia tipica della critica del poliziesco anglo-americano, ossia di centri "esportatori" della crime fiction (Stati Uniti, Gran Bretagna), che si rivela non particolarmente produttiva, a mio parere, nell'ambito di un paese "importatore" quale l'Italia.

Per una metodologia del protogiallo italiano: Problemi e proposte

Il diverso parere di Ruffini manifestato al varo del progetto e ricordato a p.

Pio X: studi e interpretazioni

Piranesi's interest in construction was unorthodox, as was his emphasis on the freedom of decorative fantasy that he made explicit in his Parere su l'architettura (1765).

Displeasure of ruins: Piranesi and the monuments of ancient Rome: Piranesi's depictions of the ruins of ancient Rome had enormous influence, but they have been widely misunderstood. As Lola Kantor-Kazovsky argues, they were not intended to provoke pleasurable reflections on the effects of time: they are instead tragic images of the wheel of fortune

We might remember that the etymology of the word "repertory" is from repertorium (an inventory); and that term is derived from repertus (to find out or discover), as well as from re + parere (to produce or invent again).

Confessions of a Shakespearean tourist: discovering natural perspectives in the secret pleasures of repertorial recognition

WM-data's acquisition of Parere AB approved by Swedish competition authority

Zucchero non guasto mai vivanda, "Il troppo zucchero non guasta le vivande" y essere, parere uno zucchero, o uno zucchero di tre cotte," dicesi di cosa della quale una debba essere ben contento, sia d'averla, sia di mangiarla, etc.,"' anadiendo muchos ejemplos."

Novelas ejemplares. Cuestiones ecdoticas (IV)

"Parere ritardato su Artemisia." Altri esercizi (1942-1971) (Torino: Einaudi, 1972) 173-74.

Anna Banti's Artemisia: Reinscribing the female gaze in Italian literature

Moreover, Achilles is not even persuaded that this is the best possible course, as he suggests in a subsequent line (that may well have been addressed directly to the audience): `Molti son d'altro parere, / Resteriam femine ogn'hora.' (`Many are of another opinion, they remain women always.')

Reforming Achilles: gender, opera seria and the rhetoric of the enlightened hero

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