Moving Shot

Moving Shot

In cinematography, a shot in which the camera moves, whether against a stationary or moving object. Moving shots are often used in action scenes, which may influence the advertisements the broadcast garners.
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Liam O'Brien was at fault on that occasion back on August 19 - the last time second from bottom Rovers had won a game - but it was Lee Burge this time who couldn't hold a moving shot that looked to like it would be denied by a routine catch.
You might get a moving shot at 20 feet--and for that, iron sights are superior to anything but a non-magnified optic.
The cinematographer, who employed a great deal of artificial light in both house and barn to achieve the exquisite density of his black-and-white imagery, is justly proud of, for instance, a complicated take he describes as moving "back from the long focal length shot through the window of the distant hills during a foggy day, which is both a zoom out and reverse moving shot back from the father, pulling back to reveal the daughter sewing at the dining table.
While moving SHOT Show across various regions may have its merits, SHOT needs to focus first on improving from the inside out.
While all the previous moving shots in the film are handheld and hence jerky, in this final shot, we have a moving shot that is defined by a very formal camera movement" a vertical crane shot.
But it's a moving shot and that's 650 paint jobs, which is quite expensive.
As the characters change, the camera grows clearer, with Dublin brightening up and the movie ending in one beautifully moving shot.
First seen together in a dynamic moving shot on the Algiers streets and set to an Ornette Coleman free jazz number, Kamel and Zina seem to embody all that is hip and exciting about young Muslim youth attuned to Western pop culture and eager to expand their horizons.
The final number of people he killed is still unclear - as the moving shot of a church packed with candles symbolised.
Motion Tracking and Image Stabilization: Symphony system users can now easily cover a problem area across a moving shot by attaching effects to an object; or have an effect follow movement throughout a shot by creating tracking and stabilization data through the Avid effects interface.
Here's a good criteria: if the animal is moving faster than a steady walk, or if he's farther than 15 or 20 yards away, don't even consider a moving shot.
At other points, the many cameras turn on the audience, including a moving shot of a solitary, empty seat.