Hamlet

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Hamlet

In Oregon, a political subdivision equivalent to a rural village. While hamlets are organized, they do not have the ability to tax and do not provide utilities.
References in periodicals archive ?
HAMLET BARD IN THE BOTANICS GORDON Barr is not the first director to cast a woman as Hamlet.
Unad said among the probable 'hamlets' in Southern Mindanao include the Ata Manobo village in Talaingod, a portion near the boundary with Kapalong, an area in Compostela Valley, Marilog, and Davao City; and a part of Surigao del Sur.
It is estimated that in 2016/17 44 % of the adult population in tower hamlets were overweight or obese.
For many young people this was their first encounter with Hamlet, the tormented prince whose uncle killed his father and then married his (Hamlet's) mother.
Litvin's book is truly the first book-length analysis of Arab Hamlets. However, the reader is given no indication that there are a substantial number of other Arab and Tamazight Hamlets in other Arab states who are not represented because their work is not actually written in Arabic, or because their Arabic is apparently too remote, linguistically or geographically.
He writes: "I've seen bolder Hamlets and more moving Hamlets, but few who kept me so riveted throughout ...
Hamlets in small communities across Japan where those aged 65 or older account for more than half the number of residents are on the verge of extinction in the face of the falling birthrate and the aging of Japanese society as a whole.
He brings theatrical Hamlets into conversation with women Hamlets in the novel and in film; we encounter the Hamlet-like heroine of Mary Braddon's melodramatic novel Eleanor's Victory; Asta Neilsen's 1921 film potrayal of Hamlet as a girl brought up as man (after the critic Vining, who believed this was Shakespeare's intention); and Marie Brassard as Lucie in Robert Lepage's noir whodunnit play Polygraph (1989; adapted for film in 1996) in which 'all [the] characters unwittingly re-enact Hamlet's ontological encounters' (310).
In their Hamlets, interruption exposed history as an accumulation of individual stories: interruption provoked the replay of such stories and was used to show theatre as remembering the past.
That both Claudius and Old Hamlet have done wrong becomes evident when we note the likeness of their punishments.
As significant as the assertion itself is the fact that Olivier's most prominent interpretive stance in his film version of Hamlet, one that has provoked debate and speculation for over fifty years, should be taken from another film.
Modern Hamlets is theatre history at its best, full of insights into the workings of the stage and understanding of larger social movements.